Different stages of one page. On the top left, the original draft with the text put in using Photoshop, then the large image on the left, the more or less finished illustration, then on the bottom left, the printed page set up using Adobe Acrobat, here resaved in JPEG which has made the colours for a bit odd when it comes up on my website, but which in the book was fine. In fact the printers, Martins of Spittal, did a wonderful job on the printing, they took endless pains to get it right, used thick paper, got the colours right, were wonderful to work with, and charged me a very reasonable rate.
I quite like the earlier stage, especially the grey grass, but painting on brown paper meant I would have too much of the background.
With the new book I am probably going to paint detailed illustrations in gouache, pencil and crayon, on heavy Fabriano white, NOT texture, a wonderful paper that I find I have a big block of on the decorative easel in the corner of my small octagonal studio, an easel that I do not use for painting, it would fill up half the floor space, but which has proved brilliant for storing larger sheets of thick paper etc. This easel leans up against one of the windows. It’s BIG, and has a wide shelf. I reckon it was used in a country house for displaying paintings, rather than being used as a painter’s easel.
My plan chest, which was hauled up stairs with much difficulty (one of the drawers had stuck) after I got it out of storage, looked so ridiculous in its new space, that I then gave it away to the person who got it back out of the house, who fettled it, and found a new owner.
The new book I will send round to publishers, and if I don’t find one, will print a (very)LIMITED EDITION and sell them locally.
Meanwhile the boxes in the cupboard, full of The Midnight Hare, empty slowly. And I shall try and keep up this blog, whilst exploring Instagram, Twitter, and any other platforms I can discover.