I based the Garden of Delights in The Midnight Hare on the Alnwick Garden, a place I have visited many times. However the deserted nature of the place is nothing like Alnwick, which is one of the most visited destinations in the country. Of course one takes liberties all the time when illustrating, and one of the liberties I took was creating a wood on the edge of the garden inhabited by venomous mechanical birds. Mind you, Alnwick does have a Poison Garden among its many delights.
I had a lot of work to do on the scan of this picture, as I realised that the picture on the opposite page had Milo’s hand in exactly the same position, so I changed his hand, but the original hand showed through, so I had to very meticulously cover it over with red, using Photoshop; I don’t think the extra hand can be seen. Also Milo has a bright countenance, which is also manipulated somewhat, to get rid of the striations of the paper. However, I only use Photoshop to tighten up and clean up various areas of colour, and use my Wacom pen too at times (one of the interesting things about doing this book has been finding out how many brilliant programs there are to help). But the fundamental illustrations are done out in my studio in the vegetable garden, far away from the computer, the only machines out there being my very old CD player, an equally old blow heater, and a light up above, the bowl of which gradually fills up with insects as the summer progresses.
My publishing schedule for the coming few months is to get The Midnight Hare into as many local venues as possible; this will be especially important in January. Meanwhile I am getting on with the book about Finn and Ella and the Cat. This afternoon was one of those beautiful days in autumn when the sun slants through the changing colours of the leaves, and there are long shadows on the ground. And once again I can’t get near enough to the heron by the bridge to get a decent picture.