Milo Comes Back Home

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Painted on pastel paper with gouache and crayon. I will use both gouache and water-colour in the new book,  and will paint on soft white Fabriano paper, using fine brush line with sepia water colour for the outlines of the figures, as I can no longer get the sepia drawing pens I used to love. However, having to improvise sometimes produces new effects, which in themselves can produce new ideas.

Neither “Finn and Ella” nor “Finn’s House” feel right as a title for the new book, I still think of it as “The Snow Book” even though it is definitely set in autumn. Went walking today looking at trees and leaves and the disintegrating heads of the greater willow-herb down by the River Leet – trawling for images as I went along. Wool-gathering, but all part of the process.

Maybe I’ll try sending out new book out to publishers, or even approach an agent, which is how I sold my work in the past, most of it anyway; but will keep the alternative option of printing 500 copies myself under the Moonwuzo Books imprint – that will give me the energy to do the work properly.

The boxes full of copies of The Midnight Hare are slowly emptying.  If I had published with local publisher Serafina Press there would have been a set-up whereby distribution would have been much easier, as the groundwork had already been done by the MD of Serafina, Jennifer Doherty. But the other side of the whole caboodle is that I would have missed out on the having ownership and experience of the process. Swings and roundabouts. I am enjoying the ride.

Quite a different experience from working with large publishers, which I have done much of my life. I have the feeling I may never go back into that world, but who knows?

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