This was one of the illustrations that worked first time off. In this earlier saved file, I have not taken out the “edge line”, where I copied the original image on to the plainer background. In the final image I carefully blended the edges by deleting the edges of the overlaid image so the underlying plain background showed through; and softened the inner lines of the pastel paper, though in places left the slightly corrugated look, as it fitted in with the tree trunk and the quality of the moonlight and the light of the lamp. Photoshop is invaluable, but it can be overused. I like the feeling of original line and brushwork, there is a depth and a surface difference that can be wiped out by over-use of Photoshop on the scan of an original painting.
There was only one line of text on this page, which I set high up on the left: “He found he was all alone.”
Painting on brown paper was integral to this story, but looking at an image from another book I illustrated, I can see how vibrant colour can be against white. Each book has its own language.
Keeping to my decision, I shall now send out some more feelers to try and sell copies of the book. Where it is for sale it is selling well, happily. I think all the boxes in the cupboard wore me down a tad, but then it occurred to me that they are going down slowly, and there is no set time for selling the books. At the beginning I thought everything had to be done in one great push, but of course, in self-published work this does not happen like this.
I am loth to push my work, it is much easier when a publisher is in charge of all this and you get sent hither and thither to do projects with children, which are fun, and which sell books, and all the rest of the publicity is done by the publishers’ marketing department. But this self-publishing malarkey is a slow burn. There will be a big push on my part locally just after Christmas, when local outlets start to stock up. I am not sure about the Christmas market, I think there is so much else out there this book will get swamped.
However, it does no harm to get The Midnight Hare out there in the world. And people do seem to like the story, I don’t think they are just being polite. I am grateful to the printers for doing a good job on its production. It doesn’t look cheap and cheerful, it has a certain weight, it has been printed on good paper. It feels nice to pick up and riffle through. The “feeling” of the book as a physical object has always been important to me. This is something that publishers in the US seem to get right. Their production qualities are often so good.
Enough already. Time for a cup of tea…..